That this occurs in the moments at which the c i a s conspiratorial activities are depicted highlights the subversive nature of operation ajax s historical material.
Graphic narrative with gutters.
Indeed as the excerpt below shows image 3 sometimes the gutters so essential to the comics construction of narrative disappear entirely.
Empathy and historical fiction in comics explores fictionalized historical realities in graphic narratives and how we respond to them.
The space between the panels as the reader moves from one panel to the next they predict and conclude what is happening.
First i will delve into the surface of the physical appearance of the gutter its function as a frame and a passe partout and inevitably how this affects the way we look at the gutter through the image and sequential art.
It is speaking the silences of history those moments of hypocrisy that have been conveniently forgotten through a form that self consciously eradicates its gutters those.
This thesis is about the significance of the gutter in graphic narrative.
Kate polak s ethics in the gutter.
A visual or implied boundary and the contents within it that tell a piece of the story.
I will look at this empty space between the panels and how it works and relates to the narrative.